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Genuine emotion drives Krall performance TheRecord.com - News - Genuine emotion drives Krall performance
By Robert Reid, Record staff
KITCHENER — Diana Krall has climbed to the highest branches of the contemporary jazz tree, but she remains deeply rooted.
In other words, you can take Krall out of Nanaimo, B.C. But you can’t take her hometown out of the 44-year-old jazz diva.
And that remains one of her most endearing traits.
The most poignant moments during her concert Sunday at Centre in the Square were when she talked about her family — husband Elvis Costello and two-year-old, twin sons — or introduced songs either written or performed by some of her musical “heroes.”
It would have sounded like name-dropping, but Krall is so grounded and devoid of airs that it was clear she was simply paying homage to the artists who have influenced her music.
Attired in a formal black dress, she walked on stage with her superb combo consisting of guitarist Anthony Wilson, bassist Robert Hurst and drummer Jeff Hamilton.
Krall has always assembled top-draw accompanists and this trio is no exception. She gave them lots of room to strut their chops and they took full advantage of every opportunity.
The classic jazz quartet setting provided the foreground to the large canvas of the Hamilton Symphony Orchestra, conducted buy Alan Broadbent.
Krall has described her latest album Quiet Nights as erotic, womanly and sensual. She’s right — as far as she goes.
What the album is really about is love — her great theme.
This was reflected in her concert, which unfolded like one long love letter delivered with passion, wit and impeccable taste.
Krall has become a richer, more expressive vocalist as she has matured.
Her voice, while sultry, sexy and breathy, never comes across as stagy or artificial. She folds back the covers romantic ballads to reveal genuine emotion.
Krall opened and concluded her 110-minute concert (without intermission) with two songs written by Peggy Lee — I Love Being Here with You and I Don’t Know Enough About You.
She answered her double standing ovation with Burt Bacharach’s and Hal David’s The Look of Love.
It was her second Bacharach/David composition. She introduced Walk on By by recalling that she once had dinner with Bacharach — “nice hair,” she quipped.
Only four of the 15 songs she performed were drawn from Quiet Nights — Where or When, I’ve Grown Accustomed to Your Face and Walk on By, in addition to the title track.
One of the concert highlights was when she talked about Costello before slipping into a slow, languid and tender I’ve Grown Accustomed to Your Face.
“I got married,” she noted, causing ripples of laughter throughout the capacity crowd. “I never thought it would happen. I have a great husband.”
She told a lovely story about writing a letter to Oscar Peterson (which her mother has saved) when she was 16 years old. She eventually visited the jazz legend at his home where they played tunes by Nat King Cole.
Then it was an inspired I Was Doing All Right, which Peterson recorded with Louis Armstrong.
Krall demonstrated her breadth as a song interpreter, offering a selection of smouldering romantic ballads, up-tempo swing compositions and sultry bossa novas.
Interestingly, she didn’t mention her 12th studio release once during the concert, even though programs were hawked before the show like hot dogs at a ball game.
rreid@therecord.com