Indeed, I was there and it was a terrific show, certainly the best of the ones I’ve seen. A very bouncy and chatty Diana, which I haven’t seen before. The show was a full 2-hours; really playful mood and the band shared big bear hugs at the end.
Got to hear the two songs I was really hoping to hear (BOBD and JFOB). And I second those around here who say this version of BOBD must be recorded; it’s got a very rumba-ish sway to it. And JFOB is just plain fun, and she really
sang it, all out. Other highlights – My Shining Hour (makes you realize this is really an instrumental quartet with vocals thrown in for good measure), and Little Girl Blue (which I’m beginning to suspect is on that X-Mas CD; yeah so it’s not a Christmas song per se… but it
does have that Good King Wenceslas theme). No Departure Bay, but she did change “cottonwood trees” to “arbutus threes” in Don’t Fence Me In (during which she also said “I’m very proud to live in this country… which I
still do”, and wished us a happy Canada Day).
Robert was using his bow more than I remember in other shows. Karriem gave an absolute killer solo in Devil May Care, and Anthony was his usual stellar self throughout.
And I think Diana played less runs and more power chords after that little finger injury…
Couldn’t help but notice she was playing a Yamaha, not her customary Steinway, BTW.
Sometime during the first 2 numbers Diana cut her finger and so after TGITOR some guy from the audience gave her a Band-Aid and she ran up to the front to get it and was all cute about it, saying something to the effect of “There’s blood on the piano” (in the silliest of voices). And then went on to say “I stopped drinking so I’m sillier. Gonna start again soon, though.” But yeah, she was very silly. Played the street-crossing signal (you know, that descending major 3rd ding-dong thingy) and said we cross the street in A flat (“well, hopefully not, hopefully you’re upright”)…said to forget the screens and look at “the little people up front…not that I’m self-indulgent”, joked about competing with “sounds of the enchanted night….motorcycles...I like motorcycles, they're sexy” – doesn’t come off so well in writing, but she does have impeccable timing.
Overall, a wonderfully playful show, and people really seemed to enjoy it. It was nice to see a wide demographic cross-section, too; 5 to 95, anything goes. Guess it’s b/c it was an outdoor park show with relatively cheap tickets ($35, as opposed to $75-125 or so in Toronto!), so people brought their entire families, which is really cool in itself.
The play list was a follows:
I Love Being Here With You
Stop This World
The Girl In The Other Room
Boulevard of Broken Dreams (“recorded by Tony Bennett, and Nat Cole, and Green Day – right church, wrong pew – but it’s all good”)
‘Deed I Do
Almost Blue (with some nice reverb thrown in, really haunting)
My Shining Hour (very bop, with Salt Peanuts sprinkled throughout)
I Was Doing Alright
Little Girl Blue (with the street crossing signal thrown in for laughs!)
Jockey Full of Bourbon (very Buena Vista Social Club-like)
East of The Sun, West of The Moon
Narrow Daylight (to great applause, guess it’s what people know form the radio)
I Just Found Out About Love (which was new to me until I heard it done by a certain Emma Love recently - you'll hear about this girl, guaranteed)
(encore - full band)
Don’t Fence Me In (the "straddle my saddle" line delivery was priceless)
Devil May Care
She made the front page of the Ottawa Sun, and the front page of the Review section of Ottawa Citizen. (Funny how the Sun review tells you all about what she wore and said, but so very little about the music…)
Here's the other review (note to journalists: it's time for some new puns)
Crown princess of jazz enthralls crowd: Diana Krall treats 5,000 fans to playful banter and sheer talent
Lynn Saxberg
The Ottawa Citizen
527 words
"Sit down. Shut up. This is Canada. You're supposed to be polite," scolded Diana Krall as she took her seat at the piano at the beginning of last night's mainstage concert at the Ottawa International Jazz Festival.
She was kidding, of course, riffing on a theme inspired by people in the audience ordering each other, in loud voices, to sit down.
Proper etiquette at this festival prohibits extended periods of standing or blocking others' view.
Lawnchairs are set up in neat rows and people wait until songs are over to move around.
Of course, it didn't help that Confederation Park was overflowing with an estimated 5,000 fans who had come to see Canada's crown princess of jazz.
An internationally respected artist who's sold millions of albums and won multiple Grammys and Juno awards, her star power went through the stratosphere with her marriage to British rock legend Elvis Costello.
He was far away (a tour stop in Munich, according to his website) last night, but she mentioned him in her introduction to The Girl in the Other Room, the title track to her latest disc.
"We're going to play a song written by my husband, Elvis Costello, and he wrote this with his wife," she said.
In a flowery blouse and jeans, Krall moaned over a cut finger, and joked about quitting drinking.
"I stopped drinking so I'm sillier," she said. "I'm going to start again soon, though."
Krall showed her mischievous streak between songs -- until it was time to get serious about the music.
"Serious," she said, as if reminding herself she was at one of the country's premier jazz festivals. "This is serious jazz."
Then she dug in to focus on creating the elegant, often arresting, flow of notes on her piano, and, guess what? It was fun, too, a delight to hear her playing bounce off that of her band members, especially the brilliant guitar work of Anthony Wilson.
Last night's concert also gave the audience the opportunity to discover another candidate in the increasingly crowded world of Sinatra-influenced male crooners. Toronto-based singer-pianist Denzal Sinclaire, who recently signed to a deal with the respected jazz label Verve Records, gave a relaxed, but mostly polished, performance in front of the thousands of Krall fans who had probably never heard of him before his name popped up in the program.
Dressed casually in T-shirt and khakis, and wearing a sailor hat to shield his eyes from the setting sun, Sinclaire immediately won over the audience with the soulful blues of You Treat Me So Good, and the caress of his rich, warm voice.