by Andrea on 08 May 2005, 14:24
Here is Google Translation of the article:
Pro and relaxed at the same time, Diana Krall and his three musicians metamorphosed space Kâmi Yo in club of jazz to open sky. One can never not have put the feet in a country and to have already reached the statute of star. For its first passage in New Caledonia, the singer and Canadian pianist thus were entitled to a standing ovation at her entry, Wednesday evening, on the scene of space Kâmi Yo, the arts centre Tjibaou. As of the first piece, Diana Krall gave the tone in the concert, with a setting in muscular and daring mouth, where the musicians offered one after the other a small passage in solo. A way of warning the public that it is not because one poses a grand piano within a framework idyllic which it is necessary to expect music of elevator. The class with the naturalness Much, in the past, had reproached the Canadian artist for yielding to the facility, with concerts regulated like music paper, which let show through only little of emotion. Become a true ripe on the musical level, the ambassadress of the contemporary jazz, which celebrated its 40 years last year, however proved Wednesday evening which it had of other keys to her piano that that of a singer glamour, virtuoso of the keyboard as of his youth. From now on, Diana Krall is not satisfied any more to pick in the repertory of largest, such as Nat King Cole or Mose Allison. Since its last album, The Girl in the other room, coécrit with her husband, Elvis Costello, the star transmits finally impressions and one lived personal to those which came to listen to it. With a style which is clean for him: at the same time class and relaxed, pro without never being caught with the serious one. Sea, jazz and sunstrokes Although english-speaking, the star Canadian did test himself despite everything with a small French introduction "What does? ". Literal translation of "What' S happening? "("how is that? ", in English). "Afflicted, it is all that I can say". A simplicity, perceptible until the vestimentary behaviour of this accessory quartet. Broad trousers and tongues for the musicians, black tunic and dye hauled for the singer. The pieces were connected without idle periods, with the risks rocambolesques in a concert in the open air: the ball of the mosquitos and the moths teasing the ear of the musicians, an animal (a margouillat?) threading in the belly of the piano, and the caught sunstrokes a few hours earlier at the time of an exit out of jet ski, which prevented the singer from remaining too a long time sitted on its stool. The second standing ovation at the time of the recalls. Diana Krall and her musicians went up on scene to interpret two songs, of which a very sensual version of Temptations, of Tom Waits, who was completed by the planing agreements of the guitarist Anthony Wilson.
Thanks, Verena!